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When Mad Males character Peggy Olson steps into Don Draper’s workplace to contest her insufficient recognition as a copywriter at their company, he asserts that receiving credit score for concepts isn’t important in promoting—until you’re the artistic director accepting a Clio award that he represents.
Restricted by her boss’ defensiveness, Olson softens to a extra modest, “You by no means say thanks.” In a blunt response to a junior copywriter’s request for recognition, he says: “That’s what the cash’s for.”
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