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Haavard is the start of a long-story journey of considered one of black steel’s most infamous gamers, Håvard Jørgensen, aka Lemarchand. As soon as a vital member of Satyricon and Ulver, Jørgensen’s metal-related musical life took a backseat for a great 15 years. Not that his involvement in Ulver’s Kveldssanger was by any stretch of the creativeness steel, however the build-up within the type of Satyricon’s pre-album work and Ulver’s storied discography as much as Nattens Madrigal – Aatte Hymne til Ulven i Manden was.
Haavard, in virtually each respect, is the continuation of Jørgensen’s introspective lays on Kveldssanger. To wit, there’s homage to mentioned work on the Haavard monitor, “Kveldssang II,” in addition to the inclusion of musical peer/good friend Kristoffer Rygg (aka Garm) on “Mot Soleglad.” There’s a definite air of nostalgia in these two tracks, as if 1996 had life once more, however solely in reminiscence. Exterior of Haavard land-lining to previous brothers, he’s putting new (principally) acoustic chords within the type of “Printemps” (embed beneath), “The Chase,” “Niende Mars,” and “Heartwood” by bringing in flute, violin, viola, cello, accordion, and extra. To perform that he introduced on a cadre of associates like Tore Ylwizaker (Ulver), Anders Møller (Ulver), Evan Runge and Raphael Weinroth-Browne (each Musk Ox).
Enterprise into the forests, lakes, streams, waterfalls, and mountains of Jørgensen’s thoughts. Actually, there’s a robust Norwegian sentiment/aesthetic at play, however it shouldn’t matter in the event you’re not sitting in Myrdal, venturing via Lofoten, or gasping in awe atop Pulpit Rock. Haavard’s music will take you there (or to every other place of your creativeness).
Inform me how Haavard received began. It had humble beginnings, if I keep in mind appropriately.
Håvard Jørgensen: That’s proper. I believe Haavard began manner again. I’m undecided how far again, however definitely throughout Ulver’s non-metal days. Then, life received in the best way. I had different priorities. I needed to put my music away for some time, however in 2014, I used to be contacted by a Danish artist known as Myrkur [aka Amalie Bruun] to do some acoustic guitars. Truly, I believe it was Kris [aka Kristoffer Rygg] who requested me. So, whereas I used to be recording the acoustic guitar within the studio for Myrkur, I abruptly had some inspiration to put in writing my very own music. The primary track I wrote had a working title known as “Street to Restoration.” The identify got here to me as a method to get well some a part of myself as an artist. I didn’t have any plans exterior of recording it in my dwelling. I made a YouTube video for it, and I posted it. I received a number of suggestions. One of many individuals who wrote to me was Prophecy Information. They advised me that if I ever wished to make a full-length, they’d prefer to launch it. That received me considering. So, I wrote some extra. I hadn’t actually concluded on releasing something, however I continued to put in writing. I can’t keep in mind after I despatched them a demo, however once they heard it they have been actually enthusiastic about it. They mentioned, “Let’s do a full-length!” Lastly, I had the prospect to launch my music on vinyl, which is one thing I hadn’t completed in a few years. I keep in mind speaking to Kris about it. He mentioned I ought to positively do it underneath my very own identify. One factor led to a different, and I lastly discovered myself with sufficient materials for a full-length. It’s taken a while although–the recordings have been completed on the finish of 2017.
The place does Dold Vorde Ens Navn match into the timeline of Haavard then?
Håvard Jørgensen: They coexist. Dolde Vorde is a band. We’re equal companions in that band. With my very own challenge, it’s simply me; and it’s solely my voice. They’re two of the identical however happening separate paths. So far as timing goes, I began Haavard in 2014. I believe I had completed the demos for the Haavard full-length by the point I had began working with Kai [S. Halvorsen; aka Cerberus] on Dold Vorde. At that time, I actually solely centered on Dold Vorde. The EP for Dold Vorde got here out in 2019. Every thing had taken so lengthy [with Haavard] and my focus, on the time, was on Dold Vorde that I type of forgot that I had my very own challenge prepared to finish.
There’s a number of speak about Haavard because the follow-up to [Ulver’s] Kveldssanger. Clearly, that is acoustic as was Kveldssanger, however “Kveldssang II” type of factors in that route, no less than on the floor.
Håvard Jørgensen: I do know the label is utilizing that for lots of apparent causes, however that wasn’t my first thought. I’ll say, me and Kris have been joking about that. In actuality, a few of songs on Haavard might’ve simply been on Kveldssanger. I do know Kveldssanger was an vital album in Ulver’s early profession. Of all of the genres individuals name it, it’s actually early neo-folk. That got here naturally, truly. Haavard is my challenge. Kris is on one monitor [“Mot Soleglad”] for previous instances’ sake. There’s homage to Kveldssanger known as “Kveldssang II,” however it’s not a follow-up straight. It’s extra a relative, truly.
What I used to be anxious about that after I first heard you have been placing collectively a full-length was that it might be barebones–simply acoustic guitar. I like that you just’re build up layers with different devices. There’s an actual sense of cinematic rigidity within the music.
Håvard Jørgensen: I used to be terrified to deliver one thing like this to the desk after so a few years. There are such a lot of nice artists on the market now. Once I began penning this rapidly there have been a number of steel bands placing out acoustic albums. I believed, “Nicely, I believe I must make a press release.” I figured I couldn’t simply launch a full-length of toned-down music. That’s my fashion although, you understand. I’m very a lot into the easier facets of music. For this album, it labored out nice although. I appreciated the truth that I introduced in additional instrumentation to construct issues. It’s a grand tour. I try this in Dold Vorde, in songs and throughout the full-length. I wished the identical stage of depth in Haavard. Undecided if my subsequent full-length will likely be toned-down or one thing grander.
I like that you just’re bridging the Kveldssanger hole. Greater than that although, the stress and launch are distinctive to Haavard. The expression remains to be economical, however there’s a number of colour to it.
Håvard Jørgensen: I agree. It’s been 25 years since we launched Kveldssanger. Hopefully, I’ve advanced as a songwriter since then. [Laughs] I don’t see Haavard as flamboyant. It’s a press release–right here I’m!
The very first thing listeners will assume is that you just’re writing music in a forest or on high of a mountain. I keep in mind the early clips you posted seemed that manner.
Håvard Jørgensen: Nicely, the clip of me on the guitar was from my yard. [Laughs] We stay near the forest, so… I can see how individuals would come to that conclusion. My principal supply of inspiration is tranquility, a way of loneliness and solitude. If meaning I’m within the forest or within the mountains then so be it. I’m not sitting on a mountaintop writing a track. That’s not practical. Inspiration comes from a number of locations. For me, I’ve all the time been fascinated with stunning melodies–melodies that hit one thing inside me. It might be pop or steel music; if it strikes me then I’m impressed by it. Typically, if I shut my eyes, I discover myself in a forest or on a mountain. However I’m not truly there except I’m taking images. I’m an aspiring nature photographer, too. I spend a number of time with the forests and animals doing that. It’s therapeutic for me to be alone within the parts. I’m by no means fascinated about melodies after I’m doing that although. Music comes after that, truly.
The album cowl is a nature {photograph}. I assume that’s yours.
Håvard Jørgensen: That’s appropriate. Each {photograph} [in the layout] on the full-length is by me.
What sort of digital camera gear do you utilize?
Håvard Jørgensen: It’s a Sony full-frame digital camera. I’ve been taking pictures of nature for a very long time. I did have a 10-15 yr break although. I didn’t do something inventive throughout that point. Now, I deliver my digital camera in all places I’m going. It’s an costly interest although. I’ve lenses for wildlife, lenses for video–lenses for every thing! I couldn’t do with out it. Taking a look at my digital camera, it tells me I can’t depart it on the shelf. It offers me a kick within the butt to get exterior. It’s a great relationship to have.
You mentioned you needed to get out of the inventive realm by selection?
Håvard Jørgensen: Sure, it was by selection. After we drifted off into extra digital stuff with Ulver, there was much less for me to do. The final two Ulver full-lengths I used to be on didn’t actually function me as a part of the songwriting. I simply had guitar components. I believe Nattens Madrigal was the final Ulver full-length the place I performed a job within the songwriting. After that, after all, I wanted cash. I began to work a standard job like the remainder of the world. Then, I had a girlfriend, then one child, then two youngsters. Life, principally. OK, so throughout these years, I used to be inventive, so possibly it’s not honest to say I had stopped fully. I labored with different bands as a employed gun. Then, I used to be in a pop-rock band with old-friends in 2012. My present girlfriend–not the mom of my youngsters–can also be a musician. She wrote the music for that challenge. I translated her music right into a pop-rock format. We launched two singles, however then it type of drifted away. So, I’ll say I used to be away from the steel scene for 10 or extra years. But when I’m being sincere, I believe Fb had loads to do with me getting again into the steel scene. In 2008, individuals from all over the world have been contacting me straight. At that time, I had no concept what Ulver had completed 10-15 years earlier than that was vital. I’m actually glad the music stood the take a look at of time for lots of people. For me, beginning once more made sense. I had historical past to go on. I nonetheless had music in me.
I keep in mind when Nattens Madrigal got here out. Everybody was anticipating Kveldssanger II, even when they have been shocked by Kveldssanger itself. The idea of a black steel model of Simon & Garfunkel made sense. Then, Nattens Madrigal was the antithesis.
Håvard Jørgensen: [Laughs] That’s the genius of Kris. He was within the entrance seat of each resolution that got here with Ulver. He had already considered the primary three Ulver albums as a trilogy. Kveldssanger was an important recording interval. All of it, save a number of components, was written on-the-fly within the studio. The studio was situated above a subway line. We needed to document at night time. Fortunately, I used to be younger sufficient that I nonetheless lived at dwelling. I might sit there all night time lengthy, consuming crimson wine, taking part in music. It was an important recording expertise for me. I attempted to do this with Haavard, too. Every thing I’ve completed myself. I like writing music like this. In fact, the true black steel followers thought Kveldssanger was shit, however that rapidly modified. Nattens Madrigal type of shut them up. I keep in mind I had seemed ahead to that [Laughs]. Nattens Madrigal was a very completely different type of beast.
Do you assume you’ll carry out stay with Haavard?
Håvard Jørgensen: It’s potential. I by no means performed stay with Ulver. For me, doing a few reveals with Myrkur made me actually nervous. After, I believed, “I’ll by no means try this to myself once more.” With Dold Vorde, we’ve completed three reveals. I discovered that I liked it! I truly love taking part in stay now. I’m not saying I’m not going to carry out with Haavard stay, however it must be completed proper. There’s a manufacturing concerned with Haavard. It’s going to be costly. I’m engaged on some concepts now–possibly one thing stripped down. Perhaps I’ll do songs from Haavard and Kveldssanger. I’ve been requested by two festivals, and for the time being, I’m not signing something. I must show to myself that I can do it my manner, and that I’ll be glad with that. I must be prepared. If persons are paying to see me, I would like to have the ability to match the cost.
** Haavard’s new album, Haavard, is out November eleventh on Auerbach Tonträger, a Prophecy Information sub-label. Pre-orders for LP, CD, and t-shirts is HERE. Enter the twilight songs of Haavard…
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